C𝄪 Major — In Octaves
Scales played in octaves are the Wes Montgomery signature technique — each scale tone is voiced simultaneously with itself one octave above. The wide harmonic interval gives the line a rich, hollow-bodied tone and is a foundational drill for jazz soloing and chord-melody arranging on guitar.
Tempo120 bpm
Playback sounds an octave below the written notation — the instrument's concert (sounding) pitch.
Audio source: tonejs-instruments by Nick Brosowsky (MIT)
Related scales
RelativeA𝄪 Natural MinorSame seven notes, tonic on the 6th degree — your access to the related minor key.ParallelC𝄪 Natural MinorSame tonic, the parallel minor — the deepest mode flip in tonal music.Up a fifthG𝄪 MajorOne sharp brighter on the circle of fifths.Up a fourthF𝄪 MajorOne flat darker on the circle of fifths.One note differentC𝄪 LydianRaise the 4th — the bright, floating Lydian colour.One note differentC𝄪 MixolydianLower the 7th — folk, blues-rock, Celtic vocabulary.SubsetC𝄪 Pentatonic MajorFive notes from the same scale — the bedrock pentatonic.ExoticC𝄪 Harmonic MajorBorrow the ♭6 from minor — operatic edge, IV / iv6 colour.