C Harmonic Minor — In Tenths
Scales harmonised in tenths spread the voicing across an octave-plus-third — the open sound of the wide compound interval, idiomatic to Bach's solo string writing and to fingerstyle / chord-melody arranging. Each beat pairs the scale tone with the scale's third taken up an octave.
Tempo120 bpm
Playback sounds an octave below the written notation — the instrument's concert (sounding) pitch.
Audio source: tonejs-instruments by Nick Brosowsky (MIT)
Related scales
ParallelC Natural MinorDrop the leading tone — natural minor without harmonic minor's classical pull.ParallelC Melodic MinorRaise the 6th too — the classical melodic minor ascending pattern.5th modeG Phrygian DominantSame pitch collection, tonic on the 5th — Spanish flamenco vocabulary.2nd modeD Locrian Natural 6Same pitch collection, tonic on the 2nd — Locrian with a ♮6, used over m7♭5.Up a fifthG Harmonic MinorOne sharp brighter on the harmonic minor circle.Up a fourthF Harmonic MinorOne flat darker.One note differentC HungarianRaise the 4th and you get Hungarian minor — same haunting edge with an extra augmented 2nd.ExoticC Double HarmonicBorrow the augmented 2nd into the lower tetrachord too — Byzantine / Arabic vocabulary.