G♯ Altered — Quartal voicings
Three-note stacks of fourths, one per scale degree — the open, ambiguous voicing-flavour McCoy Tyner and Bill Evans built modal-era jazz around (the 'So What' chord).
All 7 quartal voicings in sequence
Degree 1 · Degree 1G♯·C·F♯
Degree 2 · Degree 2A·D·G♯
Degree 3 · III(4)B(4)
Degree 4 · Degree 4C·F♯·B
Degree 5 · Degree 5D·G♯·C
Degree 6 · VI(4)E(4)
Degree 7 · VII(4)F#(4)