G Major — In Octaves
Scales played in octaves are the Wes Montgomery signature technique — each scale tone is voiced simultaneously with itself one octave above. The wide harmonic interval gives the line a rich, hollow-bodied tone and is a foundational drill for jazz soloing and chord-melody arranging on guitar.
Tempo120 bpm
Playback sounds an octave below the written notation — the instrument's concert (sounding) pitch.
Audio source: tonejs-instruments by Nick Brosowsky (MIT)
Related scales
RelativeE Natural MinorSame seven notes, tonic on the 6th degree — your access to the related minor key.ParallelG Natural MinorSame tonic, the parallel minor — the deepest mode flip in tonal music.Up a fifthD MajorOne sharp brighter on the circle of fifths.Up a fourthC MajorOne flat darker on the circle of fifths.One note differentG LydianRaise the 4th — the bright, floating Lydian colour.One note differentG MixolydianLower the 7th — folk, blues-rock, Celtic vocabulary.SubsetG Pentatonic MajorFive notes from the same scale — the bedrock pentatonic.ExoticG Harmonic MajorBorrow the ♭6 from minor — operatic edge, IV / iv6 colour.