B Altered — Quartal voicings
Three-note stacks of fourths, one per scale degree — the open, ambiguous voicing-flavour McCoy Tyner and Bill Evans built modal-era jazz around (the 'So What' chord).
All 7 quartal voicings in sequence
Degree 1 · Degree 1B·E♭·A
Degree 2 · Degree 2C·F·B
Degree 3 · III(4)D(4)
Degree 4 · Degree 4E♭·A·D
Degree 5 · Degree 5F·B·E♭
Degree 6 · VI(4)G(4)
Degree 7 · VII(4)A(4)