← G Lydian Dominant on Clarinet in A
G Lydian Dominant — Quartal voicings
Three-note stacks of fourths, one per scale degree — the open, ambiguous voicing-flavour McCoy Tyner and Bill Evans built modal-era jazz around (the 'So What' chord).
All 7 quartal voicings in sequence
Degree 1 · Degree 1G·C♯·F
Degree 2 · II(4)A(4)
Degree 3 · III(4)B(4)
Degree 4 · Degree 4C♯·F·B
Degree 5 · Degree 5D·G·C♯
Degree 6 · VI(4)E(4)
Degree 7 · Degree 7F·B·E