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A Lydian Dominant — Quartal voicings
Three-note stacks of fourths, one per scale degree — the open, ambiguous voicing-flavour McCoy Tyner and Bill Evans built modal-era jazz around (the 'So What' chord).
All 7 quartal voicings in sequence
Degree 1 · Degree 1A·D♯·G
Degree 2 · II(4)B(4)
Degree 3 · III(4)C#(4)
Degree 4 · Degree 4D♯·G·C♯
Degree 5 · Degree 5E·A·D♯
Degree 6 · VI(4)F#(4)
Degree 7 · Degree 7G·C♯·F♯